The Costume “Black-out” Keeps Choreography Center Stage

Here’s my latest for Dance Advantage!

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3 thoughts on “The Costume “Black-out” Keeps Choreography Center Stage

  1. As much as a love costuming, it must not interfere with the choreographer’s intent for the dance or the dancers. Dancers have to understand the intention of movement, then cope with the costume – or lack thereof (a bit like real life?) ;). Thanks, Heather, for writing about this.

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