Here is my December article for Dance Advantage.
Filed under arts, choreographic process, choreography, creative process, dance, dance education, dance performance, dance scholarship, jazz dance, modern dance, Paul Taylor, teaching dance, Uncategorized
Tagged as Anna Halperin, ballet, Bill T. Jones, Bob Fosse, choreography, crafting dances, creative process, criticism, dance, dance composition, dance education, dance history, Daniel Nagrin, George Balanchine, Larry Lavender, Liz Lerman, Merce Cunningham, modern dance, New York City Ballet, Paul Taylor, Pearl Primus, performance, site specific dance, teaching dance, Twyla Tharp